We use Google reCaptcha to protect our website and the Google Privacy Policy and Terms of Service apply. For more information see our Privacy Policy. Privacy Notice: Newsletters may contain info about charities, online ads, and content funded by outside parties. It all feels less like a gauntlet, more like a slot machine. It’s just a shame there’s so few encounters that support this. Diablo 4’s art, sound design and worldbuilding all go to extraordinarily impressive lengths to convince you that this is a grim, dangerous world. It makes for a strange disconnect between atmosphere and play. But once I had accrued some decent armour and protective spells, I found myself more or less on autopilot for hours as the hordes of hell fell before me. It’s all suitably impressive to look at, with nary a dropped frame in sight as the action gets busy with pyrotechnic flair.

I went with a caster that stuns with sheets of summoned lightning. Even from those first few precious skill points, it’s clear that you could take the Druid in a few distinct directions – make them a slow and devastating werebear, for example, or a wolf-pack leader.

It is, like junk food, exceptionally tasty, but oddly insubstantial, like a doppelganger of something much more real.Īn example: I most recently tried out the Druid class, a beefy frontline fighter with access to shapeshifting, animal companions and a host of lightning spells. This might be exactly what you’re looking for: a vivid and well-realised hellscape to escape into, one that bites back just enough for you to feel present, but never really tested. Diablo 4 may look and sound ominous, but in practice, it all goes down a bit too easily. Illustration: Blizzardĭecades’ worth of talent and knowhow have been spent here on boiling down moreishness to a fine science. ‘Diablo’s world feels, well, like a world again a place with history and tension’ … Diablo 4 screenshot.

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